Quick Answer: How Do You Master With Multiband Compression?

How do I set mastering limiter?

To set a limiter, first identify the loudest section of a song.

This is the part where the limiter will react most drastically.

It is best to check for distortion in this area.

Once you’ve found the loudest part of the song, insert a limiter of your choice on your master bus and listen to your recording..

Should I put a limiter on my master?

Rather it should be on making your mix musical and punchy. This can and should be done without limiting on your mix bus. Give yourself the “rule” that you will never put a limiter on your master fader while you are still mixing and you will go far. … If you limit while you mix, you will end up fighting with the limiter.

Where do you use multiband compression?

9 Easy Ways to Use Multiband Compression in Your MixControlling Lead Vocals. … Adding Consistent Bottom to the Vocal. … Making Room for the Vocal with a Sidecain. … Consistent Bass and Kick Bottom. … Controlling Ringing Drums. … Controlling Loud Cymbal Hits. … Reducing String Noise. … Mix Buss Low End.More items…•

How much compression do you need for mastering?

Here are some general guidelines if you want to use compression while mastering: Start your ratio at 1.25:1 or 1.5:1. Going past a ratio of more than 2:1 is not recommended. Set your threshold pretty high so that you’re getting 2 dB of gain reduction at most.

Is multiband compression necessary?

It’s crucial to get your kick and bass correlating with each other. You can control kick and bass relationships with sidechaining and levels. But at a certain point, you may need a multiband compressor to take over. Multiband compression works great at tightening low frequencies, reducing boom, and adding power.

How do you do multiband compression on vocals?

Once you know the range, remove the EQ and load up a multiband compressor. Bypass all of the multiband ranges until you are only targeting the problematic frequency range. Apply 2-3dB of compression using similar settings to your main compressor, with one important exception—don’t apply any makeup gain.

What is the difference between dynamic EQ and multiband compressor?

Gain vs. Another difference between the two processors is that dynamic EQ functions using gain, or pure level, while multiband compression functions using ratio-driven compression. These two have different sounds, with gain movement being much more transparent than compression.

Should you EQ or compress first?

Each position, EQ pre (before) or EQ post (after) compression produces a distinctly different sound, a different tonal quality and coloration. As a rule, using EQ in front of your compressor produces a warmer, rounder tone, while using EQ after your compressor produces a cleaner, clearer sound.